Anora
Screening Times
The Power Station screenings are located on 3rd Floor, Turbine Hall B, Battersea Power Station
The Arches screenings are located on 22 Arches Lane, Circus West Village, Battersea Power Station
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These screenings are located on 3rd Floor, Turbine Hall B, Battersea Power Station
Please check back soon for Screening Times
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These screenings are located on 22 Arches Lane, Circus West Village, Battersea Power Station
Please check back soon for Screening Times
If you would like to know when our new screenings arrive at the box office, please subscribe to our newsletter for weekly emails.
Please check back soon for Screening Times
If you would like to know when our new screenings arrive at the box office, please subscribe to our newsletter for weekly emails.
Info
Watch TrailerAnora, a young sex worker from Brooklyn, gets her chance at a Cinderella story when she meets and impulsively marries the son of an oligarch. Once the news reaches Russia, her fairytale is threatened as the parents set out for New York to get the marriage annulled.
Starring: Mikey Madison, Lindsey Normington, Paul Weissman
Director: Sean Baker
Writer:
Running Time: 139 minutes
Certificate: 18
Language: English
Genre: Drama, Romance, Comedy
Country: United States
99% ROTTEN TOMATOES
“A flawless anti-Cinderella story for the ages. Anora barely ever loses its humour, something that might surprise viewers expecting a more gritty or depressing watch.”
★★★★★ Maddy Mussen, London Evening Standard
"‘Pretty Woman’ with a vodka hangover? Sean Baker’s darkly funny sex-work screwball is a blast."
★★★★★ Dave Calhoun, Time Out
"Brilliant Pretty Woman-esque comedy…leading lady Mikey Madison is surely destined for stardom thanks to her role in Sean Baker’s high-energy panic comedy."
★★★★★ Robbie Collin, Daily Telegraph
“.. The story reaches a new pitch of Coen brothers-style black comedy.”
★★★★★ Kevin Maher, Times
“It is a terrific performance from Madison, who owns the screen, and Eydelshteyn’s turn as the shiftless Vanya is also very watchable. Baker’s film-making is muscular and fluent.”
★★★★ Peter Bradshaw, Guardian
