Joker: Folie A Deux | Film Info | The Cinema in The Power Station
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Joker: Folie A Deux

Joker: Folie A Deux
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While struggling with his dual identity, Arthur Fleck not only stumbles upon true love, but also finds the music that's always been inside him.

  • Starring: Lady Gaga, Joaquin Phoenix

  • Director: Todd Phillips

  • Writer: Bob Kane, Bill Finger, Todd Phillips, Scott Silver, Jerry Robinson, Bruce Timm, Paul Dini

  • Running Time: 138 minutes

  • Certificate: 15

  • Language: English

  • Genre: Drama, Crime, Thriller

  • Country: United States

15 - Suitable for 15 years and over.

No one younger than 15 may see 15-rated content in a cinema.

“The film is audaciously different in style from the original, not quite as electrifying, but bold and brilliant all the same.”
★★★★ Brian Viner, Daily Mail

“Folie à Deux is just as edgy and disturbing as its forerunner, replicating the idea of modern American cities as terrifying powder kegs perpetually on the cusp of explosion.”
★★★★ Geoffrey Macnab, The Independent

“Folie à Deux achieves two remarkable things. It updates the movie musical, using the genre in an inspired way that shouldn’t frighten fans who don’t like them. It’s also that rare sequel that meets – if not surpasses – the quality of its predecessor.”
★★★★ Tori Brazier, Metro

“Joaquin Phoenix and Lady Gaga bring music but zero merriment to a bold and often brilliant sequel”
★★★★ Time Out

“Phoenix is seamless, picking up this maudlin character again as if it were only yesterday. It's a truly versatile, malleable performance.”
★★★★ Jame Mottram, Radio Times

“Joaquin Phoenix returns with his blood-curdlingly grounded take on the classic Batman villain – alongside a magnetic Lady Gaga”
★★★★ Robbie Collin, Daily Telegraph

“As sweet and beguiling a musical romance as it’s possible to have between two murderous psychopaths…a gloriously twisted, darkly funny meet-cute."
 ★★★★ John Nugent, Empire Magazine 

“Todd Phillips has delivered the last thing anyone expected: a socially responsible Joker movie that finds an intriguing way to explore the consequences (both on and offscreen) of the first film”
 ★★★★ Matthew Turner, NME