The Short List Vol. 3 |

The Short List Vol. 3

The Short List

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    On Monday 13th February, The Cinema In The Power Station’s bi-monthly short film showcase, The Short List, returns with Film As Therapy.  

    The third instalment of the newly created initiative takes a look at the medium of film through the lens of mental health, its potential to heal through processing experiences both as viewer and as creator. At a time of year when happiness and love are expected as a given, The Short List brings you a curated programme of 10 short films from up-and-coming film-makers that will take you through all forms of often stigmatised mental health.   

     

     

    THE SHORT LIST VOL.3: FILM AS THERAPY


    Beauty (dir. Natalya Mykhaylyuk, 4 minutes) 
    A young influencer is forced to face her deepest fears when a mysterious intruder breaks into her apartment.


    Blue Monday (dir. Fintan O'Connor, 19 minutes) 
    When Carol, a social worker in the 1980s, is forced to perform a mental health assessment on someone deeply ingrained in her past she fears his condition to be far worse than it appears on the surface.


    Clouds (dir. David Yorke, 5 minutes) 
    A young boy struggling with depression navigates through his daily routine, while being followed by a grey cloud.


    Enjoy (dir. Saul Abraham, 18 minutes) 
    Progressive muscle relaxation, Lycra, spoken word.  As home tutor Michael (Himesh Patel) seeks novel ways to halt his spiralling depression, a moment of hope arrives via an unexpected source. ENJOY is a touching, offbeat exploration of the ways in which depression manifests itself in men across different generations.


    He Was Thinking of Ending Things (dir. Gunjan Mukherjee, 5 minutes)  
    Struggling with severe mental health issues and cooped up in his room, a young man is just about to give up on life when an unexpected visitor rings the bell.

    Hey, Ma (dir. Laurie Barraclough, 7 minutes) 
    After seeing a woman she believes to be her lost mother in a car park, Katrina pursues her through the night longing for a chance to speak to her again.


    I Am Norman (dir. Arron Blake and Darius Shu, 17 minutes) 
    A man living in his car takes a filmmaker into the woods to share a dark secret.


    Multitasking (dir. Claire Scoresby-Barrow, 11 minutes) 
    At the end of another indistinguishable day, a nameless woman puts her baby to bed. Worn out by the routine of domesticity, she merely exists; vacant and alone.


    Olly Disappears (dir. Oskar Brockbank 12 minutes) 
    Alone in his recently deceased fathers apartment, Olly is struck by a crippling associative panic attack.


    Sight & Hope  (dir. Nasrul Ekram, 10 minutes) 
    A brief but frank exploration of grief and voyeurism, 'Sight & Hope' is the story of an elderly widower who obsessively hangs on to the disposable mask his late wife last wore. He wears the mask and tirelessly washes it every day to cope with the unbearable sorrow of her passing until he discovers a much more satisfying way to overcome his grief. 

     

     

    The Cinema In The Power Station’s regular short film showcase returns with The Short List Vol 6: Portraits of Home.  
     
    For the sixth instalment of The Short List we are bringing you an eclectic mix of films that explore the intricate dynamics of parents and their offsprings. This selection of films from emerging talent showcases a diverse understanding of family life. Although varying wildly in tone, they come together seamlessly in providing a full portrait of what one calls home. 

    That? (dir. Madeleine Shenai, 15 minutes)
    A teenage girl and her father learn to overcome their anxieties after the most embarrassing moment of her young life.

    Letting Daisy Go (dir. Harry Knight, 5 minutes)
    We spend 24 hours with the Groves family as they get ready to farewell their eldest daughter, Daisy, as she moves out of home.

    What We Share (dir. Maya Avidov, 11 minutes)
    When Brian returns to home after being released from prison he's confronted by his daughter Deborah. Their terse exchange reveals what lies beneath their heartache and anger caused by the death of the missing matriarch.

    Ocras (Hunger) (dir. Nick Alexander, 16 minutes)
    During the 1847 Irish famine, a young boy is pushed to extraordinary lengths to provide for his family. Battling the elements, others in search of food, and his own mind, he realises salvation is closer to home than he first thought.

    Bacon (dir. Geoff Bell, 10 minutes)
    Bacon tells the compelling story of a family that, once upon a time, were close. Torn apart by secrets and lies from the past, that once revealed, they will all suffer such consequences. That from this day forward, the family will never be the same again.

    Salt Water Town (dir. Dan Thorburn, 15 minutes)
    As rising sea levels loom across the coast of Wales, a father and son clash over the future of their failing caravan park. Owen Teale and Tom Glynn-Carney give harrowingly genuine performances in this visceral and fast paced family drama which intricately explores generational difference, climate change and toxic masculinity.

    Fields (dir. Charlene Wango, 12 minutes)
    After having a premonition, Pastor Mimi tries to take matters into her own hands to save her gang-affiliated son from a tragedy but soon realises it's out of her control.

    Father and Boy (dir. Evgeny Sinelnikov, 9 minutes)
    A 12-year-old boy comes to visit his father, who has left the family and now lives with another woman. The boy tries to convince his father that his mum, sister and himself are very happy on their own, without him. However, it soon becomes clear that this is not the case, and the boy still cannot come to terms with his father's decision and wants him back badly.