Close Encounters Of The Third Kind
Screening Times
The Power Station screenings are located on 3rd Floor, Turbine Hall B, Battersea Power Station
The Arches screenings are located on 22 Arches Lane, Circus West Village, Battersea Power Station
Please select your preferred cinema from the tabs above:
These screenings are located on 3rd Floor, Turbine Hall B, Battersea Power Station
Please check back soon for Screening Times
If you would like to know when our new screenings arrive at the box office, please subscribe to our newsletter for weekly emails.
These screenings are located on 22 Arches Lane, Circus West Village, Battersea Power Station
Please check back soon for Screening Times
If you would like to know when our new screenings arrive at the box office, please subscribe to our newsletter for weekly emails.
Please check back soon for Screening Times
If you would like to know when our new screenings arrive at the box office, please subscribe to our newsletter for weekly emails.
Info
THIS SCREENING WILL BE PRESENTED WITH SUBTITILES
Only food and beverages purchased from our dedicated sweet shop or other Battersea Power Station retailers concession huts will be allowed in the cinema.
HOW ARE BOOKINGS ASSIGNED?
All outdoor screenings are unallocated and seats are on a first come, first serve basis.
DO I NEED TO BRING MY OWN SEAT?
Nope! All tickets include a chair to sit on whilst you are with us. Please do not bring additional seats.
WHAT IF IT RAINS?
The event will always go ahead in the event of bad weather. Please check the weather forecast in advance and be prepared. Screenings will only be cancelled if the weather conditions present a danger at screening time. Patrons accept the risk that weather they consider unsatisfactory may occur on a screening night and acknowledge that tickets will not be exchanged or refunded unless a screening is cancelled by us. In the unlikely event that a screening is cancelled, we will aim to give as much notice as possible so please keep an eye out for information on the website and social media.
"Spielberg's greatest work."
- Tom Huddleston, Time Out
"The best -- the most elaborate -- 1950's science fiction movie ever made, a work that borrows its narrative shape and its concerns from those earlier films, but enhances them with what looks like the latest developments in movie and space technology."
- Vincent Canby, New York Times
"Years ahead of it's time in terms of SFX, it's a masterpiece of wide-eyed whimsy"
- Angie Errigo, Empire
